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Exhibition

Petra CortrightULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE

Released in conjunction with Petra Cortright’s fifth solo exhibition at Société Berlin, Botanical Study #1, continues the thematic explorations of flora that are showcased in the exhibition titled "ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE.”

Deeply inspired by her love for flora and greenery, Cortright focuses in this series on the beauty and simplicity of their composition, illuminated by a unique Californian light. Botanical Study #1 displays a moving image of changing plants and flowers, captured with remarkable detail using digital brushes, thus echoing the tradition of botanical illustration and the scientific practice of compiling herbariums. Within this work Cortright draws from historical methods of depicting, organising, and categorising the natural world, with each plant artfully set against ethereal gradients of colour, as if floating in a dreamlike void.

Installation view, *ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE*, Société, Berlin, 2024. Courtesy the artist and Société, Berlin. Photo: Trevor Good.

Installation view, ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE, Société, Berlin, 2024. Courtesy the artist and Société, Berlin. Photo: Trevor Good.

Within her practice Cortright blends both digital and traditional mediums to explore the themes of internet culture as well as self-representation. Her breakthrough came with the 2007 project VVEBCAM, where she used a webcam to capture herself navigating through various digital filters. This work unexpectedly gained attention when YouTube decided to take it down in 2011, citing the "offensive" nature of the keywords she used, including explicit language and sexual references—a decision Cortright argued was a critical part of her artistic expression.

Following this incident, Cortright's focus shifted towards digital painting, employing Photoshop to alter, warp, and digitally "paint" over images she finds online. These creations, which oscillate between representational imagery and complete abstraction, are eventually printed onto aluminum panels for display.

Cortright, an alumna of the Parsons School of Design and the California College of the Arts, has showcased her work in prestigious venues like the Walker Art Center, the Hammer Museum, and the Whitechapel Gallery. Her participation in notable exhibitions such as the 2009 Venice Biennale and the 2013 Lyon Biennale, along with her artworks fetching high sums at auctions, underscores her significant impact on the contemporary art scene.

‘The issue is that I’m a painter, but I don’t use paint, so it confuses people...I have always just felt so clever and powerful when I use a computer.’

Petra Cortright

Installation view, *ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE*, Société, Berlin, 2024. Courtesy the artist and Société, Berlin. Photo: Trevor Good.

Installation view, ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE, Société, Berlin, 2024. Courtesy the artist and Société, Berlin. Photo: Trevor Good.

Installation view, *ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE*, Société, Berlin, 2024. Courtesy the artist and Société, Berlin. Photo: Trevor Good.

Installation view, ULTRAMARINE UNDERWORLD HEARTBROKEN HARDCORE, Société, Berlin, 2024. Courtesy the artist and Société, Berlin. Photo: Trevor Good.

Artist

Petra Cortright

Petra Cortright’s core practice is the creation and distribution of digital and physical images using consumer or corporate software. She became renowned for making self-portrait videos that use her computer’s webcam and default effects tools, which she would then upload to YouTube and caption with spam text. Cortright’s paintings on aluminum, linen, paper, or acrylic are created in Photoshop...
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Curator

Société

Société is a contemporary art gallery located in Berlin. Founded in 2010 by Daniel Wichelhaus, the gallery has built an international reputation for its innovative exhibitions, publications, and boundary-pushing initiatives. The gallery focuses on establishing long-term, symbiotic relationships with its artists, many of whom had their first solo exhibition with Société, regularly participate in...
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